PRÁTICA COM QUESTÕES OFICIAIS
Questão 89 (2º semestre) da UFG 2010 (inglês)
Leia o texto abaixo e responda às questões de 86 a 90. · 1ª etapa
Power of Images: Creating the Myths of Our Time
by J. Francis Davis
The history of human social interchange has evolved through three distinct phases: oral, text-based, and now image-centered communication. In oral cultures, learning and tradition were passed on by word of mouth, primarily through storytelling. The invention of writing made it possible to preserve information and literacy traditions beyond the capacity of memory, but the circulation of hand-written books was still limited to an elite few.
With the invention of the printing press, written texts were in effect transferred from the exclusive property of those wealthy enough to afford hand-copied manuscripts to a broad reading public.
A similar revolution began about 150 years ago with the invention of photography. For the first time, visual representation of objects in space could be reproduced on a mass scale. Image communication was born.
It only took about 50 years for this new method of representation to become a major player in the communication of social values in American society. The rise of the advertising industry spurred this change, for advertisers quickly learned that the most effective way to sell products was not through stories or plain-text facts, but through the creation of images that appealed to basic human needs and emotions.
Television cemented the era of image communication, for it tells stories and we watch and listen just like our ancestors who sat mesmerized around campfires.
But television's most important stories are those not verbalized – the stories and myths hidden in its constant flow of images. These images suggest myths – and thus help construct our world and values – in much the same way that stories did in oral culture.
Once identified, myths are easy to recognize: the good life consists of buying possessions that cost lots of money; leave it to the experts (who are usually white, middle-aged men); your body is not good enough; happiness and satisfaction are available with the next consumer purchase; businesses and corporations are concerned for the public welfare.
Only when we learn to read these myths on a daily basis will we have the power to substitute other motivating ideas and goals of our choosing. Only then can we consciously transcend the Age of Image Communication and stop blindly accepting the myths of the image culture.
Disponível em: <http://medialit.org/reading_room/article80.html>. Acesso em: 13 out. 2009. (Adaptado).
Glossary:
spurred: estimulou
mesmerized: fascinados
The myth your body is not good enough could be represented by someone described as
- Aattractive
- Bfit
- Cout-of-shape
- Dslim
- Egood-looking
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O mito citado no texto é "your body is not good enough" (seu corpo não é bom o bastante). Ele sugere que o corpo de uma pessoa tem defeitos e precisa ser melhorado, em geral por meio de produtos que se compram. Portanto, a pessoa que representaria esse mito é aquela vista como fora do padrão de beleza ou de forma.
Veja o sentido de cada adjetivo:
- attractive: atraente, ou seja, corpo que agrada. Contradiz o mito.
- fit: em boa forma. Contradiz o mito.
- out-of-shape: fora de forma, sem condicionamento físico. É a ideia de um corpo "não bom o suficiente", que precisaria ser corrigido.
- slim: magro, esbelto, o padrão que a mídia costuma promover. Contradiz o mito.
- good-looking: de boa aparência. Contradiz o mito.
Só out-of-shape carrega a ideia de insuficiência do corpo, que é o sentido do mito.
Alternativa C.
Por que as outras alternativas estão erradas
- A"attractive" significa atraente, o oposto de um corpo considerado insuficiente.
- B"fit" significa em boa forma, ou seja, um corpo que já atende ao padrão.
- D"slim" é magro/esbelto, o padrão de corpo valorizado, e não o corpo "não bom o bastante".
- E"good-looking" é de boa aparência, ideia contrária ao mito.
Assunto: Vocabulário em contexto e falsos cognatos.
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Fonte: UFG 2010 · 2º semestre · 1ª etapa. Prova oficial ↗